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晚安文学www.wawx.net提供的《花滑之与迹部的冰上咏叹调》 60-70(第22/24页)
dy line — the extension ， the arch ， and her fingers even her fingertips are dancing ， are expressing. Every inch of her is telling the story. （看这身体线条——那伸展，那后仰，还有她的手指……连指尖都在跳舞，都在表达。她身体的每一寸都在讲述这个故事。 ） ”凯瑟琳的声音轻轻响起，带着赞叹。
节目进入后半段。
“4Lz＋3T！ Quad Lutz triple toe in the second half！（4Lz＋3T！后半段的勾手四周接后外点冰三周！）” 凯文的声音激动地响起，“In that second half where so many have faltered， she DID it！ Triple toe attached！ A beautiful landing！（在那个让无数人望而却步的后半段，她做到了！接上三周！这个落冰太漂亮了！）”
掌声从看台的某个角落开始，逐渐蔓延，最终汇成整齐的节奏——观众们开始随着音乐的鼓点打拍子。
连续转三进入3Lo，落冰干净，没有丝毫晃动。
3F＋1Eu＋3S，这个被她练了无数次的连跳，在今天晚上，在奥运决赛的冰面上，完成了最完美的一次——三个跳跃之间的衔接节奏控制的极好。
3Lz＋3Lo ，最后一个连跳。当刀刃咬住冰面的那一刻，全场爆发的欢呼几乎盖过音乐。
“Every single jump！ Every single element！ Shes done it！ Shes clean！（每一个跳跃！每一个技术动作！她做到了！她全clean 了！）” 凯文几乎是在咆哮，“But then again — of course she did. This is Aria Fujiwara. The girl who put five quads in a program and made history. Of course she would.（但话说回来——她当然会做到。这可是藤原凛。那个一套节目用了五个四周跳、创造了历史的女孩。她当然会。）”
定级步法开始。
刀刃在冰面上画出复杂的轨迹，身体在高速滑行中完成一个又一个变向。但这不仅仅是技术的展示，更是对音乐理解的表达。
“Oh！ Look at that ice coverage and her body language！ （哦！看这个冰面覆盖率和她的肢体动作，还有她的眼神！）” 凯文的声音里充满了惊叹，“And that look — did you see what she just did She glanced at the judges‘ panel with that expression — ha！ The way she uses her upper body and facial expressions is incredible. You rarely see a 15-year-old， especially a female skater， interact with the judges like that. Shes performing to everyone in this building！（看她刚刚对裁判席做的这个动作，哈！她对上肢和表情的运用太好了！很少有15岁的女选手能做到这样，和裁判互动。）”
“ And listen to the crowd ， you can hear the rhythmic clapping and the whistles from the stands. （而且你能听到观众席整齐的掌声和口哨声，）” 凯特接过话，“ Shes setting this entire arena on fire. The energy is absolutely infectious！ （现场正在被她点燃，太有感染力了。 ）”
定级步法结束，最后的旋转组合——跳进的燕式转，换足联合旋转，然后是那个标志性的Y字转。
“Her spins， （她的旋转，）” 凯文的声音变得柔和，“this Biellmann， this Y-spin — always so beautiful， so elegant. And shes over 160 centimeters now this season， yet she can still pull off that catch-foot Biellmann. Flexibility and powerbined — she was simply born for this s port. （这个贝尔曼和Y字转，永远这么美，这么优雅。而且她这赛季身高已经160cm多了，居然还能做烛台贝尔曼。既有柔韧性又有爆发力，她简直是为花滑而生的。）”
最后一个旋转完成，凛以一个左手掐腰、右手虚握仿佛撑着手杖的姿态定格。音乐最后一刻，她下巴微抬，抬眸斜睨，嘴角是一丝若有若无的笑意。
“Oh， that look，（噢，那个眼神，）” 凯文深吸一口气，“That look is killing me.（我死了。）”
凯瑟琳忍不住轻笑一声：“Didnt she kill you at the Grand Prix Final with that same ending pose（上次总决赛你已经被杀了。）”
“Yes，（是的，）” 凯文认真地说，“I died. Then I resurrected. And now Im dead again.（我死了，然后我又复活了，然后又被杀了。）”
凯瑟琳笑着摇摇头。
全场寂静了一瞬，随即爆发出山呼海啸般的欢呼。
凛松了一口气，露出了笑容——那是从库伊拉的角色中抽离出来，属于十五岁女孩的真实笑容。
“ Shes done it （她做到了）” 凯瑟琳的语气带着感慨，“ Aria Fujiwara ， at 15 years old ， has just delivered a flawless free skate on Olympic ice. （藤原凛， 15岁，在奥运决赛的冰面上，奉献了一套完美无瑕的自由滑。）”
“And look at her now，（看看她现在，）” 凯文继续，“Her performance tonight — its even more effortless than at the Grand Prix Final. The control in her eyes， in
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